NVC Dance Floors - Revision history

Jwbrown518 at 23:20, 9 January 2009

2009-01-09T23:20:43Z

Bridgetbelgrave at 17:03, 23 March 2008

2008-03-23T17:03:23Z

Bridgetbelgrave at 17:02, 23 March 2008

2008-03-23T17:02:55Z

Bridgetbelgrave at 17:02, 23 March 2008

2008-03-23T17:02:14Z

Bridgetbelgrave at 17:01, 23 March 2008

2008-03-23T17:01:28Z

Bridgetbelgrave at 16:58, 23 March 2008

2008-03-23T16:58:54Z

Bridgetbelgrave at 15:59, 23 March 2008

2008-03-23T15:59:15Z

Bridgetbelgrave at 21:12, 29 June 2006

2006-06-29T21:12:09Z

John Abbe at 05:39, 9 June 2006

2006-06-09T05:39:10Z

John Abbe: Linkification

2006-06-09T05:38:45Z

Linkification

@@ Line 5: / Line 5: @@
 Also, there are local distributors in Australia, Denmark and North America.
-North America: Jeff Brown, Email:jeff(at)heartfeltcommunication.com Toll free phone: 877-755-0883
+North America: Jeff Brown, Email:jeff(at)heartfeltcommunication.com
 Australia: Franklin Bruinstroop, Email:franklin1(at)iprimus.com.au

@@ Line 5: / Line 5: @@
 Also, there are local distributors in Australia, Denmark and North America.
 North America: Jeff Brown, Email:jeff(at)heartfeltcommunication.com Toll free phone: 877-755-0883
 Australia: Franklin Bruinstroop, Email:franklin1(at)iprimus.com.au
 Denmark: Gitte Brandenburg Carlsen, Email:gc(at)giraf4connexion.dk

@@ Line 4: / Line 4: @@
 Also, there are local distributors in Australia, Denmark and North America.
 North America: Jeff Brown, Email:jeff(at)heartfeltcommunication.com Toll free phone: 877-755-0883
 Australia: Franklin Bruinstroop, Email:franklin1(at)iprimus.com.au

@@ Line 35: / Line 35: @@
 The seven dances are:
 .  Inner-Outer Dance, Stage 1:  The 13 Steps
-* develop awareness of which mode you are in: â€˜[[expression|expressing]] myself, â€˜receiving othersâ€™ or â€˜connecting with myselfâ€™;
+* develop awareness of which mode you are in: ˜[[expression|expressing]] myself, ˜receiving others™ or ˜connecting with myself™;
 * practice the 4 basic ingredients of NVC, "[[observation]]s, [[feeling]]s, [[need]]s and [[request]]s“ in each of the three modes;
 * learn how to transform inner judgments with [[self-empathy]].

@@ Line 22: / Line 22: @@
 * Respect a variety of learning styles, integrating auditory, kinesthetic and visual ways of learning.  Visual intelligence is nourished by seeing the text and color of the cards.  Body/movement intelligence is nourished by standing and walking through the dance steps.  Spatial intelligence is nourished through the layout of the cards.  Auditory intelligence is nourished by hearing the dancerâ€™s, the role playerâ€™s and the trainerâ€™s words.
-* Address peopleâ€™s needs for active and reflective learning.  The impulse for action and movement is satisfied by moving around the dance and experimenting with different options.  The need for reflection is nourished by watching other participants doing the dance, as well as through group discussion following the dance.
+* Address people's needs for active and reflective learning.  The impulse for action and movement is satisfied by moving around the dance and experimenting with different options.  The need for reflection is nourished by watching other participants doing the dance, as well as through group discussion following the dance.
 * Create a context in which people are likely to learn the key elements of NVC, including how much of the NVC process is inner work, how all the ingredients of the process fit together, and how our inner judging and blaming is an integral part of NVC, rather than something to be dismissed or suppressed.
-* Witness both inner and outer processes.  Through hearing peopleâ€™s inner process, we gain access to fun, sharing, learning and [[empathy]] and are often touched by recognizing how other peopleâ€™s feelings, needs or judgmental thinking are similar to our own.
+* Witness both inner and outer processes.  Through hearing people's inner process, we gain access to fun, sharing, learning and [[empathy]] and are often touched by recognizing how other people's feelings, needs or judgmental thinking are similar to our own.
-* Create visual clarity when not using puppets.  The Dance Floors offer another way to engage peopleâ€™s interest, and be lively and conscious when showing the NVC process in role plays.
+* Create visual clarity when not using puppets.  The Dance Floors offer another way to engage people's interest, and be lively and conscious when showing the NVC process in role plays.
@@ Line 36: / Line 36: @@
 .  Inner-Outer Dance, Stage 1:  The 13 Steps
 * develop awareness of which mode you are in: â€˜[[expression|expressing]] myself, â€˜receiving othersâ€™ or â€˜connecting with myselfâ€™;
-* practice the 4 basic ingredients of NVC â€“ [[observation]]s, [[feeling]]s, [[need]]s and [[request]]s â€“ in each of the three modes;
+* practice the 4 basic ingredients of NVC, "[[observation]]s, [[feeling]]s, [[need]]s and [[request]]s“ in each of the three modes;
 * learn how to transform inner judgments with [[self-empathy]].
@@ Line 47: / Line 47: @@
 * get more courageous about asking for what you really want;
 * hone skills for staying in heart [[connection]];
-* learn how to receive another personâ€™s â€˜connection requestsâ€™;
+* learn how to receive another person's ˜connection requests";
 * weave all this into a fluent NVC dialogue.

@@ Line 1: / Line 1: @@
-Full information about the NVC Dance Floors is on http://www.NvcDanceFloors.com
+Full information about The NVC Dance Floors is on http://www.NvcDanceFloors.com
 NVC Dance Floor materials are available in English, Danish, Dutch, French, German, Norwegian and Swedish from http://www.life-resources-shop.com
@@ Line 8: / Line 8: @@
 Denmark: Gitte Brandenburg Carlsen, Email:gc(at)giraf4connexion.dk
 WHAT ARE THE NVC DANCE FLOORS?
-The Dance Floors are spatial maps made up of large, color-coded cards laid on the floor in various layouts called â€˜dancesâ€™.  People learning NVC stand up and â€˜danceâ€™ through the steps of a given process, often with coaching from a trainer or support from another participant.  Each dance is designed to help people develop awareness and skills in a particular area of NVC.
+The Dance Floors are spatial maps made up of large, color-coded cards laid on the floor in various layouts called â€˜dancesâ€™.  People learning NVC stand up and ˜danceâ through the steps of a given process, often with coaching from a trainer or support from another participant.  Each dance is designed to help people develop awareness and skills in a particular area of NVC.
 The Dance Floors and related support materials were co-created by Bridget Belgrave and Gina Lawrie from England, http://www.GnB.org.uk, both certified trainers with the Center for Nonviolent Communication.  They have developed 7 dances; three are designed to practice dialogue, and are done in role play dialogue with another person, and four are inner dances, designed for transformative internal processes.
 WHY USE THE DANCE FLOORS?
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 * Create visual clarity when not using puppets.  The Dance Floors offer another way to engage peopleâ€™s interest, and be lively and conscious when showing the NVC process in role plays.
 WHAT ARE THE DANCES?
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 * experience the difference between a forced â€˜either/orâ€™ decision, and an integrated, emergent â€˜both/andâ€™ choice.
 WHAT ARE PEOPLE SAYING ABOUT NVC DANCE FLOORS?
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 "I am realizing how different my understanding of NVC is and my way of sharing it with others since attending an NVC Dance Floor workshop over a year ago. It has been a huge gift for me. I continue to be amazed at the ease in which people move to great depth (really getting in touch with self) while using this process. And it gets you up and out of your seat! I use this in most all my trainings and am so thankful to have a more physical way to offer NVC. "
 -- Cathy Artukovich, Hawaii, USA

@@ Line 11: / Line 11: @@
 Jeff Brown, Certified Trainer,
 Center for Nonviolent Communication
-* U.S. Distributor of NVC Dance Floor *
+* U.S. Distributor of NVC Dance Floors *
 -320-3842 ~ Toll free: 877-755-0883
 jeff@heartfeltcommunication.com
@@ Line 21: / Line 21: @@
 The Dance Floors are spatial maps made up of large, color-coded cards laid on the floor in various layouts called â€˜dancesâ€™.  People learning NVC stand up and â€˜danceâ€™ through the steps of a given process, often with coaching from a trainer or support from another participant.  Each dance is designed to help people develop awareness and skills in a particular area of NVC.
-The Dance Floors and related support materials were co-created by Bridget Belgrave and Gina Lawrie from England, both certified trainers with the Center for Nonviolent Communication.  They have developed 7 dances; three are designed to practice dialogue, and are done in role play dialogue with another person, and four are inner dances, designed for transformative internal processes.
+The Dance Floors and related support materials were co-created by Bridget Belgrave and Gina Lawrie from England, http://www.GnB.org.uk, both certified trainers with the Center for Nonviolent Communication.  They have developed 7 dances; three are designed to practice dialogue, and are done in role play dialogue with another person, and four are inner dances, designed for transformative internal processes.
 --
@@ Line 101: / Line 101: @@
 Phone: 812-320-3842
 Toll-free: 877-755-0883

@@ Line 1: / Line 1: @@
 Hi friends,
-I will be attending the "Compassion in Action" gathering for the U.S. Project June 30-July 2, 2006 in Oakland, CA.  I intend to offer a demonstration of the Dance Floors -- what they are, why to use them, and how.  This learning technology for NVC has greatly increased my agility with NVC and has taken my training skills to a new level, and I'm excited to share this.
+I will be attending the [[Compassion in Action]] gathering for the [[NVC USA Project]] June 30-July 2, 2006 in Oakland, CA.  I intend to offer a demonstration of the Dance Floors -- what they are, why to use them, and how.  This learning technology for [[NVC]] has greatly increased my agility with NVC and has taken my training skills to a new level, and I'm excited to share this.
 For anyone who is interested, I will have Dance Floors materials for sale.  I am also happy to send a catalog of products and current price list to anyone who is interested at any time.
@@ Line 35: / Line 35: @@
 * Create a context in which people are likely to learn the key elements of NVC, including how much of the NVC process is inner work, how all the ingredients of the process fit together, and how our inner judging and blaming is an integral part of NVC, rather than something to be dismissed or suppressed.
-* Witness both inner and outer processes.  Through hearing peopleâ€™s inner process, we gain access to fun, sharing, learning and empathy and are often touched by recognizing how other peopleâ€™s feelings, needs or judgmental thinking are similar to our own.
+* Witness both inner and outer processes.  Through hearing peopleâ€™s inner process, we gain access to fun, sharing, learning and [[empathy]] and are often touched by recognizing how other peopleâ€™s feelings, needs or judgmental thinking are similar to our own.
 * Create visual clarity when not using puppets.  The Dance Floors offer another way to engage peopleâ€™s interest, and be lively and conscious when showing the NVC process in role plays.
@@ Line 45: / Line 45: @@
 The seven dances are:
 .  Inner-Outer Dance, Stage 1:  The 13 Steps
-* develop awareness of which mode you are in: â€˜expressing myself, â€˜receiving othersâ€™ or â€˜connecting with myselfâ€™;
+* develop awareness of which mode you are in: â€˜[[expression|expressing]] myself, â€˜receiving othersâ€™ or â€˜connecting with myselfâ€™;
-* practice the 4 basic ingredients of NVC â€“ observations, feelings, needs and requests â€“ in each of the three modes;
+* practice the 4 basic ingredients of NVC â€“ [[observation]]s, [[feeling]]s, [[need]]s and [[request]]s â€“ in each of the three modes;
-* learn how to transform inner judgments with self-empathy.
+* learn how to transform inner judgments with [[self-empathy]].
 . Inner-Outer Dance, Stage 2:  Integration & Connection
@@ Line 56: / Line 56: @@
 . Inner-Outer Dance, Stage 3:  Fluency
 * get more courageous about asking for what you really want;
-* hone skills for staying in heart connection;
+* hone skills for staying in heart [[connection]];
 * learn how to receive another personâ€™s â€˜connection requestsâ€™;
 * weave all this into a fluent NVC dialogue.
 . Self-Empathy Dance
-* take self-empathy deeper than on the inner-outer dances;
+* take [[self-empathy]] deeper than on the inner-outer dances;
 * discover the beauty of fully experiencing what is alive within you;
 * open your creativity to the full range of ways to meet your needs.